One of you made a comment in a previous post that
Cornelissen sounds like he agrees with the content. That’s the problem with
textbooks—they need to present information objectively (of course, there’s no
such thing) and, in doing so, take on a passive type of stance. I don’t think
Cornelissen necessarily agrees with everything he is writing, we’d have to read
his articles to see his real arguments, but he does understand what he’s talking
about and how it should b—at least theoretically. For example, he said that
communicators should be in on the strategic planning and not just the
implementation of a strategy. This is absolutely correct, but how common is
that? If it’s not common, I suspect that one reason is that situating an
employee at the strategic level means paying that person more. He says on page
94 that there are two types of communicators: communication technicians and
communication managers. This is the difference, I think, of what’s viewed as
practical and what’s viewed as theoretical. If you’re a technician, you’re
doing rote work—grammar and spelling checker, fact checker, and so on. But if
you’re a manager, you are paid to think bigger and more theoretical: he says
that “corporate leaders do feel that corporate communication as an area of
practice, “will be more valued when advice is offered by professionals who have
the background, knowledge and standing that will enable them to contribute to
decision-making at the highest levels” (p. 95). As long as they think of a
communicator as a mere technician—or wordsmith (I hate that term), they will
never make more money or be as respected.
He does point out, however, that many technicians lack the
knowledge and skill of business, finances, and the strategy-making process.
This is not a bad point (although I think communicators need strategy skills to
write well), which is one of the reasons I want you all to write an industry
report, to discover what you need to know in order to work in a particular
industry. It’s not enough to simply know how to communicate; you need to know
how to communicate in a particular context. I’m hoping the reports (which will
be shared among all of us) will shed some light on an area you’ve been thinking
about for your future. What most people know about a business comes from
advertising, but each industry has trade magazines that tell you a lot more
than simply why to buy their product.
On page 113, Cornelissen says that a message style involves
“the creative concept that articulates the appeal of the message and brings it
to life through the use of catchy slogans and visual stimuli (pictures, images,
logos, and the typographic setting of a message).” Creative thinking is
essential for critical thinking. But this statement seems to suggest that
creative people make things pretty and come up with catch phrases. I get this
perspective a lot because I do document and information design. But design grows
out of content, so one has to have an understanding of the message in order to
do the communication, which if you take my Information Design class next fall,
you’ll learn all about that. But does this perspective add to the idea of “fluff”?
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